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Betye Saar, identified for her assemblages confronting histories of racism, has introduced a brand new initiative to safeguard her legacy. The 99-year-old artist, in partnership together with her longtime gallery Roberts Projects, has launched the Betye Saar Legacy Group, which is able to function a scholarly committee devoted to stewarding her contributions to modern artwork historical past.
Saar is carefully related to the Black Arts Movement of the Seventies, and her work steadily challenges racial and gender stereotypes. She started creating assemblages after seeing a 1967 exhibition of Joseph Cornell’s work on the Pasadena Artwork Museum. For just below six many years, she has created these dense sculptural works constructed from discovered objects, household heirlooms, and cultural artifacts, amongst different supplies.
The Betye Saar Legacy Group includes 9 worldwide curators, every with longstanding connections to Saar’s work. Members embody Esther Adler and incoming Christophe Cherix of the Museum of Modern Art (MoMA); Carol S. Eliel of LACMA; Carlo Barbatti of Fondazione Prada in Milan; Diana Seave Greenwald of Boston’s Isabella Stewart Gardner Museum; Elvira Dyangani Ose of the Museu d’Artwork Contemporani de Barcelona; Stephanie Seidel of ICA Miami; and unbiased curators Zoé Whitley and Mark Godfrey. Cherix is slated to turn into MoMA’s director in September 2025.
“Over time, I’ve labored with all the members, and so they every have gathered a singular little bit of know-how, a specific perception, about my artistic course of,” mentioned Sarr in a press release. “I stay up for future initiatives with this particular group of people that I think about not simply colleagues but additionally my pals.”
The group will work carefully with the artist, her studio, and Roberts Tasks to supply perception into her assemblage observe and lengthy profession. It should help curatorial scholarship and oversee efforts to interpret and increase entry to Saar’s archive. The group may even work carefully with Saar’s daughter—Tracye, Alison, and Lezley—to compile pictures, numerous paperwork, and private journals. Roberts Tasks can also be main the creation of a catalogue raisonné of Saar’s work, a undertaking that started in 2016. DelMonico Books will publish a biography on Saar, authored by Whitley, in 2027.
Digitization of Saar’s archive started after the 2016 exhibition “Betye Saar: Uneasy Dancer” at Fondazione Prada, which laid the muse for the curatorial committee’s formation. The archive has additionally supported main exhibitions, together with “Soul of a Nation” at Tate Fashionable in 2017; “Betye Saar: Name and Response” at LACMA in 2019; “The Legends of Black Lady’s Window” at MoMA in 2019; Critical Moonlight at ICA Miami in 2021; and “Coronary heart of a Wanderer” on the Isabella Stewart Gardner Museum in 2023.
Saar—a medalist of the 2025 Art Basel awards—might be debuting new work in Miami this yr as a part of the truthful.. Julie Roberts, co-founder of Roberts Tasks, instructed ArtNews: “She simply desires to spend her time making artwork, gardening, and being together with her household.”
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