In the vast realm of artistic expression, some create images that pass before the eyes, while others craft experiences that linger in the imagination. Kimberly McGuiness belongs to the latter. She is a spirited artist whose work does more than decorate a wall—it speaks, listens, and invites reflection. Her paintings are not simple visual surfaces but intricate narratives, alive with archetypes, symbols, and voices that reach beyond the ordinary.
McGuiness understands art as both mirror and oracle. Through her creations, she draws on myth, memory, and subconscious terrain, weaving stories that feel timeless yet personal. Her imagery stirs the deep places where emotion meets imagination. To encounter her art is to be pulled into a dialogue, one that asks for honesty and openness. Kimberly does not just paint; she conjures worlds, and through them, offers messages that feel like whispers from another realm.
Zephira the Oracle of the Realm of Beneath & Becoming

“Zephira the Oracle of the Realm of Beneath & Becoming” is an exploration of roots, memory, and unseen potential. McGuiness shapes Zephira as a keeper of hidden currents—an oracle whose dominion is not the visible surface but the underground rivers of time and feeling.
The description of Zephira reads like a map of internal landscapes: flowing roots, tangled waters, forgotten dreams blooming again in silence. This is not simply metaphor. McGuiness has created an image of the unconscious itself, a place where buried experiences and unspoken hopes wait to be tended. Zephira’s message, “What you bury becomes what you bloom. Tend it with intention,” captures the essence of her role. It is both a warning and a gift.
Through this work, McGuiness reminds us that nothing truly disappears. The past lies beneath us, shaping and feeding what we are becoming. Art here becomes an oracle not only of imagery but of process—the way hidden things germinate into visible life. The piece insists that we are responsible gardeners of our inner landscapes.
The Oracle of Circus Curiosity

Where Zephira whispers from the soil, the Oracle of Circus Curiosity leaps into the air. This oracle lives in performance, spectacle, and the theatrical edge of revelation. She rules the “Realm of Measured Light,” a space where balance and wonder coexist under the canopy of a circus tent.
McGuiness presents her not as a subtle figure but as a force of confrontation. The oracle’s truths do not arrive quietly—they tumble, spin, and command attention. Her words, “Everything weighs something—especially the things we pretend not to see,” cut to the heart. In this space, nothing is without consequence. What we ignore still tips the scales.
The circus imagery is apt. Under its lights, exaggeration and truth meet in strange harmony. Performers dazzle but also reveal. Masks entertain while hinting at vulnerability. McGuiness uses this setting to expand the oracle’s power: justice not as legal decree, but as balance restored through spectacle, curiosity, and courage to look.
The Oracle of Circus Curiosity embodies the paradox of truth—it can delight even as it unsettles. She shows us that seeing clearly is not always solemn; sometimes it is playful, dramatic, and deeply human.
The Oracle of Midnight Menagerie

The third oracle, sovereign of the “Realm of Twilit Wonder,” brings a quieter but no less commanding presence. Known secretly as Lunavelle, she is the keeper of twilight—the hour between visibility and concealment. McGuiness paints her as a ringmaster of hidden selves, a figure who carries the hush before the curtain lifts.
Here, the imagery shifts from soil and circus to night sky. The Midnight Menagerie is a realm of shadows, illusions, and the fragile honesty of moonlight. It is the space where identity becomes layered, where masks can fall, and where the inner glow becomes visible.
Her message, “Not all spotlights shine from above—some glow from within,” is perhaps the most intimate of McGuiness’s oracles. It suggests that revelation is not always external. Recognition can come from self-acceptance, from allowing one’s quiet light to lead the way.
Through Lunavelle, McGuiness speaks to the part of us that longs to be seen, not for the roles we play but for the essence we carry. This oracle is a reminder that authenticity, though vulnerable, is also luminous.
Closing Reflection
In these three oracles—Zephira, Circus Curiosity, and Lunavelle—Kimberly McGuiness presents a trilogy of guidance. Each rules a different realm: beneath, performance, and twilight. Each delivers a truth: what is buried grows, what is ignored weighs, and what glows within guides.
Together, they reveal McGuiness’s artistic vision: art as a sacred space where myth and message entwine. Her works are less about depiction and more about invitation. They ask viewers to step inside, to listen, to reflect, and to carry forward what they learn.
Kimberly McGuiness spins tales not for entertainment alone but for awakening. Her art functions as oracle, mirror, and map. It is storytelling with roots in myth and wings in imagination. And in each canvas, she reminds us that we too are oracles of our own becoming.